inspiration Archives - La Visch Designs

tutorial – how to make the most of remaining yarn

How to make the most of remaining yarn - a tutorial by La Visch Designs

When you have a limited amount of yarn, it’s pretty common to want to make the most of it. I often have a limited amount of a specific fingering weight yarn available, with which I want to knit a shawl. Especially when working with a shawl shape and construction that leads to ever-growing rows, that can be a challenge. Take, for example, a top-down triangle, or crescent shawl. But also with side-ways knit projects, it can be very useful to know whether another repeat before the mid-way point of the project is possible.

For this, I usually weigh my yarn. You can, of course, use a kitchen scale. Most kitchen scales have an accuracy of 1 g. This means that the scale will provide a reading for up to 1 gram above or below the object’s true weight. Especially when working with thinner yarns, this may mean that the reading is just not accurate enough to go on. In those cases, it can be advisable to use a precision scale, that measures with an accuracy of 0.1 g. The benefit of precision scales is, usually also, that they are smaller and therefor easier to take along when knitting on the go.

Once you use a specific scale for a project, it’s best to stick to that one for the duration of the project. Calibration may differ between scales, potentially causing issues when you have less yarn remaining than expected based on previous measurements with the other scale. Below, I’ll give you more information about the scales I use, and how I go about how to make the most of remaining yarn in a project.

Materials used

Angled view of several bright yellow skeins of yarn on a white plank background. There is a white label attached, with RMR on it in shiny letters.

Flat lay view of 2 very small scales together with a pencil and a row counter for scale.

Yarn: RMR Yarn Co. Zihuatanejo DK in Casi Casi.

Scales: These are the scales I use for my knitting. The larger one was picked up at a local store, it has an accuracy of 0.1 g, and can weigh up to 200 g. The smaller one is a Christen Swiss OR-10 pocket scale. The latter is accurate to 0.1 g, and has a weighing capacity up to 150 g. The pencil and row counter are in the picture for scale. As you can see, the small one, is really very, very small.

How to make the most of remaining yarn in a project, an example

Usually I don’t bother weighing my yarn, until I see that I’m down to somewhere into the last ball of yarn. At that time, I start weighing after every 2 rows, and write down how much yarn was left. When doing this a couple of times, you can calculate how much yarn was used for every 2 rows. Even more, you can also see how much the yarn usage increases when the rows get longer. In the below pictures, I’m using my tiny scale, using the cover to increase the platform size to rest the ball of yarn on.

A ball of yellow yarn on a tiny scale, there is also a slightly larger scale visible

Close up of the weight of a yellow ball of yarn on a tiny scale: there is 87.1 g remaining.

In the below picture, you can see the notes I scribbled on the back of the draft pattern of my Atomic Tangerine shawl. The middle column contains the weights, and with the arcs on the right you see what the weight differences were between the various rows. The example below shows, that I had 85 g left after row 50, which means I could get at most 8 other rows out of the remaining yarn. But given the rate at which the yarn usage went up, probably 6 rows at most. When binding off my shawl projects, I usually use the Russian bind-off, which, in my experience, uses almost as much yarn as 2 rows. So, taking this into account, there is only enough yarn left for another 4 rows before starting the bind-off.

And that’s exactly how it worked out for this pattern!

The back of a draft pattern, on which weights are scribbled in pencil — Weighing notes on Atomic Tangerine

Projects with multiple colors

You may wonder how this looks when working on a project that uses multiple colors. In that case, depending on the patterning, you may want to weigh either after every 2 rows, or after each pattern repeat. In this example, I’m working on a mosaic color-work project. With mosaic knitting, you alternate colors every 2 rows. So, in this case, weighing after every pattern repeat makes the most sense. And yes, in this example, I’m using my kitchen scale.

Angled view of a mosaic knitting project in yellow and teal, the teal yarn is positioned on a scale. — Weighing on a kitchen scale

Weighing notes, scribbled in blue pen on graph paper — Weighing notes

As you can see, these notes look a tad more complex, because the yarn usage arcs for the various colors cross each other. At this moment, I’m still working on this design. But, given the amount of yarn remaining, it’s time to start the final section of this shawl. To be continued!

Thanks to my Patreon supporters for bringing you this freebie! Creating quality patterns and tutorials is a lot of work and resource-intensive. However, I find it important to give you free content like this tutorial. Thanks to the generous support of my Patreon supporters, I can make it happen. Thank you, patrons! Click here to join, or click here to read more about La Visch Designs on Patreon.

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tutorial – working a cabled bind-off

The cabled bind-off may look complex, but it’s really nothing more than a twist of a fat i-cord bind-off. Usually, an i-cord bind-off is made with 3 to 4 stitches. However, to make it a cabled bind-off, once every few rows the order of the stitches on your knitting needle is changed. These crossings are what gives cables their characteristic look. To give each half of the cable a bit of heft, they need to have enough stitches. Also, with cable knitting, you usually work stitches in stockinette. So, to make the cables pop against the body of the piece you’re binding off, a contrasting stitch in reverse stockinette is used.

In this example, I’ll be showing you a cabled bind-off with a 3/3 RC (3/3 right-cross cable). For this we will need 6 stitches, plus 1 purl stitch to make them pop. This bind-off is worked over a multiple of 6 stitches in the piece to bind-off, plus 1 extra stitches to bind-off the cable itself.

Materials used

Yarn: Paintbox Yarns Simply DK, a good value, good quality 100% acrylic yarn, in the colors Vintage Pink, and Lime Green.

Needles: This is a pair of straights that I picked up at the second-hand store when I started knitting, brand unknown. You will also need a cable needle in a similar or slightly smaller size as your knitting needles.

The cabled bind-off step by step

In short, the instructions for this bind-off would look something like this:

Cabled bind off: Cast-on 7 sts, *k6, p2tog, sl 7 sts just worked back to left-hand needle, pull yarn tight across back of sts; rep from * until 1 st remains.
Next: Bind-off 6 sts by knitting 1 st, *then knitting the next st and passing the one already on the right-hand needle over the newly worked stitch*, work *-* 5 times, p2tog, and fasten off.

You can start casting off as soon as the last row or round of your work has been knit, and after your work has been turned when working flat back and forth.
With the right side facing, cast-on 7 stitches. I used the knitted-on method.
Knit 6 stitches.
Purl 2 stitches together, 1 from the bind-off, and the other one from the body of the work.
Move yarn to the back of the work, then slip the 7 stitches on the right-needle back to the left hand-needle one by one.
Repeat steps 3 to 5 once.
Next, we’re going tot work the cable twist row with a 3/3 RC (3/3 right-cross cable). First, slip the next 3 stitches to the cable needle, and place at the back of the work.
Knit 3 stitches….
…. finish the cable by knitting 3 stitches from the cable needle.
Next, purl 2 stitches together. Again, one from the bind-off, and the other one from the body of the work.
Move yarn to the back of the work, then slip the 7 stitches on the right-needle back to the left hand-needle one by one.
Repeat steps 3 to 5 another 3 times. You have now bound-off 6 stitches.
Repeat steps 3 to 12 until only 1 stitch is left over.
Please note that in my swatch, I hadn’t accounted for this last stitch. So in this example, I had no stitches left over at this point.
To finish, bind-off 6 stitches by knitting 1 stitch, *then knitting the next stitch and passing the one already on the right-hand needle over the newly worked stitch*, work *-* 5 times, purl the last 2 stitches together, and fasten off.
In my example, I did not have any stitch left to do the p2tog with, so I just fastened off.

Pretty, right?!

A few notes

In this example, I worked the cabled bind-off in a contrasting color. You can, of course, also work the bind-off in the same color as the project itself.
All i-cord based bind-off edge on pieces worked in stockinette stitch are very pretty. As you know, however, stockinette tends to curl…. A lot. An i-cord bind-off is usually not sufficient to prevent curling. For this, you will have to look at other methods, such as garter stitch or rib.
Depending on the difference between your stitch, and row gauge, the bind-off may be tighter than the body of the work. If this is not desired in your piece, you could consider going up a needle size. Working an extra row, without connecting it to the body once every few repeats, may also be sufficient to get enough length at the edge.

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fixing damage in ready-made knitwear

Last week, I was approached by a colleague about fixing damage in a garment: she had bought this lovely gold knit cardigan. But when she came home, she found this large laddered down area at the back neck of the garment. She could, of course, bring it back to the store, but it was the very last one they had available in her size. So, she approached me to see if I could perhaps fix it.

I must admit that I’m not too keen on mending, in the sense that I don’t particularly enjoy the process of mending itself. The concept of mending, however, is something I very much endorse. One of the best ways to minimize your environmental footprint, is to make sure to maximize the lifespan of the products you use. When examining this particular garment, mending actually seemed doable because it was indeed regular knitting, and not some complex machine-knit tuck-stitch. And it gave me an opportunity to show you that sometimes ready-made knitwear can be fixed just as nicely as our hand knits can.

So, I gave it a go! In this post, I’ll show you exactly what I did.

Helpful materials

To start, it is pretty handy to have some tools available to make fixing the mistake easier. I used the following:

A circular knitting needle, in a smallish size. Here I used 2.5 mm.
A crochet hook.
Some pins.
A pillow.
A darning needle.
A ball of yarn in a somewhat matching weight and color.

In this fix, I also used some new yarn, because I noticed that the top edge of the garment was consisted of a single thread of yarn holding the live stitches of the back panel. What probably happened, is that the thread snapped near the right shoulder, releasing the stitches and enabling them to run down. I was lucky that the stitches were caught before they ran through the bit of garter stitch below the first lace panel. In other words: the upper edge really needs some reinforcement.

The pillow and pins were used to make sure that your work stays exactly where you need it to be. Also, it helps to see the mistake better when pinned out, instead of all scrunched up like lace tends to be before blocking.

On to the fixing!

To start, I first examined the work. The lace consists of some sort of patterning involving double yarn overs, as well as left- and right-leaning decreases. So, this is the patterning I somehow have to try to replicate.
Once had a picture on how to work the patterning back up, I pinned out my knitting on the pillow as described in this other post of mine, and followed the various steps using my circular needle. I ended up with the below situation.
It’s not perfect, but being on the back of the garment, I think it’s good enough.
Next, I used the new yarn to bind off these worked-up stitches using the crochet hook and a slip stitch bind-off.
Next, I continued reinforcing the rest of the back panel by edging it with a row of single crochet.
It’s a bit hard to see in the above picture, but the newly bound-off part is not as high and looks a bit different from the rest of the edge. So, I also worked a bit of single crochet over that part of the edge. Better!
Finally, I checked the garment for other potentially weak spots. And yes, I did find them… The shoulder seams were serged, but the finishing was such that the edges of the serged length were unraveling due to a lack of enough locking thread.
So, I fixed that too on both shoulder seams.

And there you have it, this is how I went about fixing damage in this garment! A fixed ready-made cardigan that can now at least be worn. I think my colleague will be happy!

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Time for a knit-a-long!

It’s time for a knit-a-long! And I’ve got just the pattern for it: Cinematic! Join the KAL on Facebook in the La Visch World of Fiber Crafts group.

Cinematic is a simple but stylish triangular shawl knit sideways in garter stitch. With its generous size, it’s perfect to wear as an elegant scarf. Eyelet rows and stripes in a contrast color, combined with a gradient yarn, make for a highly customizable accessory. Wear it with a shirt and jeans for a casual look or with that little black dress for a more dramatic look.

The KAL will start this Friday, August the 30th and will run for a month until and including September the 30th 2019. The pattern can be found on Ravelry and, of course, on the La Visch Designs website. Every person posting a picture of the FO before or on September 30th will receive a 25% discount code for a La Visch Designs pattern of choice 😃

Want to share your progress social media? Go ahead, I love to see what folks do with my designs! Make sure to tag your posts with #cinematickal, #lavischdesigns and #cinematicshawl so I can find your post.

So, get your yarn and pattern today, I’m looking forward to seeing you over in the KAL group for the Cinematic knit-a-long!

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kurkuma KAL!

My LYS Sticks & Cups and I are organizing a Knit-A-Long for my latest shawl design Kurkuma. It’s very spicy and so much fun, so join the Kurkuma KAL!

We cast on Thursday 11 April during the Cast-On Party at the Sticks & Cups store in Utrecht. Also, I’ll be there with a bunch of my designs, so if you want to take a closer look at some of my shawls and try them on, this is your chance! Can’t make it to the party? No worries! Get your kit before the 11th and post a picture using the #kurkumakal #stickscups and #lavischdesigns hashtags!

The pattern is available through this website, but if you can also get it at the shop in a kit. Visit Sticks & Cups on Instagram or Facebook to see some of the yarn combinations Lili has prepared.

Prizes!

Of course, there will also be prizes! The prize drawing is on May 18th during the Beltane Yarn Festival at the Sticks & Cups store in Utrecht. There will be 2 prize drawings, both to be held on May 18th:

The first drawing is for all who join by getting a kit at Sticks & Cups: You get a number when you buy your kit at the shop with which you are entered in the prize drawing. Prizes consist of yarn and your pick of a La Visch Designs pattern of choice.
The second drawing is for all who love to join the KAL but don’t have the option to visit Sticks & Cups for a kit. On May the 18th I will select my 3 favorite pictures tagged with #kurkumakal & #lavischdesigns. Each of the 3 winners may select a La Visch Designs pattern of choice that will be gifted to you. Both (pictures of) WIP’s and FO’s count, so share pretty pictures on Instagram and Facebook as often as you like! During the KAL I will repost some of the pictures that catch my eye.

Make sure to follow La Visch Designs on Instagram or Facebook for all the latest news about the Knit-A-Long. Also, visit the Kurkuma KAL event on Facebook for more info on the KAL.

Recap

The KAL runs from 11 April to 18 May 2019.
Get your Kurkuma kit at Sticks & Cups or just the pattern here.
The prize drawing is on 18 May.
Post lots of pictures using the hashtags #kurkumakal #lavischdesigns and #stickscups.

So go get your pattern and yarn and be ready to cast on with us on Thursday. I’m looking forward to seeing your WIP’s and FO’s!

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tutorial: making a magic ball

If you’re a bit like me, you’ll have loads of odds and ends of the various projects. They are of course quite ornamental when displayed in nice glass jars or vases. But how many jars of ornamental balls of yarn does one need? I mostly work in fingering weight yarn which means I’ve got a lot of ends that would combine well, ranging from a mere 2 g up to quarter skeins. Of course, the latter could be used in small projects like Fish for Amiga, but again, how many small softies does one need?

So, I thought, why not make a magic ball?!

What is a magic ball?

You may wonder what a magic ball exactly is. Well, I’ll tell you! It is a ball of yarn that is made by attaching pieces of yarn of similar weight to each other. Thus making a bigger ball out of all of the smaller yarn remains. This way a scrappy project like a blanket, cowl, scarf or shawl is made easier because there are no ends left to weave in. That’s already taken care of by combining the yarns in the magic ball!

I myself am also very much looking forward to working with my magic ball. All those memories of projects past attached to the yarns within… Below you can find what I did to make my magic ball.

How to make a magic ball step by step

1. To start, collect your bits and bobs of yarn. Make sure they’re all in the similar weight range and ideally, also of similar materials. Combining an all acrylic yarn with otherwise wool yarns will have an impact on the resulting piece if it requires blocking. And do also consider differences in drape and washing care.

In my case, they’re all fingering weight yarns with a high content of wool. Some have up to 25% of nylon, others contain a bit of silk. In general behavior, all these yarns are however quite similar.

2. To connect the pieces of yarn with each other, there are of course various options among which the Russian join and the braided join. In this case, because the yarns all have multiple plies, I’m using the braided join. The Russian join requires a bit more attention and tools to work, but would have been my choice for connecting single ply yarns with each other.

3. Do leave the yarn tails on! Cutting them off prematurely can contribute to the join coming undone. Just leave them be and cut any yarn ends after you’ve knitted up your magic ball and blocked the finished piece. In the below picture you can see a bit how I’m faring midway in making my magic ball.

4. And here it is all done! Almost 100 g of yarn where there were only useless bits before. Now to think of a nice new design to use it in…

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dyeing cotton with onion skins

After I finished dyeing the skeins of wool in my recent onion skin wool dyeing experiment, quite a potent dye baths were left over. A shame, of course, to let it go to waste. I decided that dyeing cotton with onion skins was in order! Fortunately, I have some, that has been lingering in my stash for years.

This cotton yarn is an unbleached coned yarn, that I originally bought for dishcloths and such. It turned out a tad too thin for that though, so it has been lingering in the stash ever since. I perfect candidate for some dye experimentation!

Materials

In this experiment, I did not have to prepare the dye baths themselves because I used the leftover ones from my wool dyeing experiment. Also, I decided not to mordant the cotton yarn, despite the fact that I read that plant or cellulose fibers are more challenging to dye than protein based fibers like wool or silk. I also read, that there was no need to mordant cotton with onion skin dye. So I decided to take the plunge and go ahead without!

I used the following materials:

Cotton yarn, 4 skeins of 100 g each
Detergent (without enzymes)
Yellow onion skin dye bath (second dye bath)
Red onion skin dye bath (second dye bath)
Rubber gloves, stainless steel spoons
Water
A way to heat the pots, I just used my stove

a. Washing the cotton

1. First as explained in this post I skeined up the yarn.

2. Next, I washed the cotton yarn to remove any lanolin, spin oil or other debris still present on on it. You can’t see it in this picture, but my washing water turned yellow! A very needed wash it appeared…

b. Dyeing cotton with onion skins

1. In the case your yarn has dried before getting to this step, you have to soak it first in water again. In wet yarn dye distributes itself much more uniformly. About half an hour of soaking is usually enough. If the yarn is still slightly wet, you can skip to step 2.

2. In each of the dye baths, I have put 2 skeins of cotton and made sure to completely submerge all yarn. The picture below shows the yellow onion bath on top and the red onion skin one on the bottom half.

3. I let the cotton simmer for about an hour in the dye bath. Next, I let it cool down in the dye bath overnight. The picture below shows how the cotton looked next morning.

4. Rinse the yarn off with lukewarm water, add a dash of vinegar kitchen to fix the color. Rinse as long as necessary until the water runs clear. Remember to put on rubber gloves, if you do not want to stain your hands! Then you can squeeze the water out of the dyed yarn and hang to dry.

And this is how my cotton looks like after it has completely dried up:

On the left 2 skeins of red onion skins on un mordanted cotton, and on the right yellow onion skins on again 2 skeins of un mordanted cotton. The red onion dyed yarn is now some sort of brownish cream. The yellow onion dyed yarn turned a pinkish cream. All in all, not a very dramatic difference.

I must admit being a tad disappointed with the result of my dyeing cotton with onion skins experiment. These colors give me unpleasant associations with old underwear, the type of color that, makes me look like I just crawled from underneath a rock. Was it because I used a second dye bath? An unbleached yarn? Or perhaps because I didn’t mordant the cotton beforehand?

I really don’t know. One thing is sure though: there will be a next experiment sometime in the future overdyeing this cotton!

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fixing a mistake in lace knitting

This post is all about my recent confrontation with fixing a mistake in lace knitting. As you may have seen if you’re following me on Instagram or Facebook, I’ve been happily knitting along on my latest design using Nurturing Fibres Super Twist Sock in “Odette” and “humbug”. I got mine from Wol zo Eerlijk, a lovely store with lots of environmentally friendly and fair trade yarns. Anyway, there I was, in the home stretch, with only 10 more rows of edging to go before the bind off. It was then that I saw it: a mistake in my lace, 9 rows down!

When I found the mistake in the pink border of my Pink Monarda shawl pictured, I had about 320 stitches per row. So no, I was not going to rip out all that work! Instead, I dropped down only 8 stitches to the place where I made the mistake. After that was correcting the error, followed by knitting everything back up to the row I was on.

In this post, I’ll show you exactly what I did!

Helpful materials

To start, it is pretty handy to have some tools available to make fixing the mistake easier. I used the following:

A set of DPN’s (double pointed needles) in the same size as the needles used in your project, or smaller.
A crochet hook.
Some pins.
A pillow.

Fixing a mistake in lace knitting with La Visch Designs

On to the fixing!

1. To start, I pinned out my knitting on the pillow. I did this in such a way that I could clearly see a repeat of the lace pattern that was knitted correctly, as well as the one with the mistake in it. I slipped some of the stitches on one of the DPN’s to help fixate the whole better on the pillow. Can you see in the picture below where the mistake is?

2. The mistake is in the left half of the repeat, near the 4th yarn over, counted from the needle. Can you see it? In the picture below, I have indicated it with the circle.

3. In this particular case, it wasn’t necessary to drop down the whole repeat. Instead, I only dropped the 8 stitches on the left half of the repeat. I dropped down until I reached the purl row exactly below the row with the mistake in it.

When approaching the row below the mistake, I stopped ripping back and started to carefully tink (tink = knit backward!) further back, catching the released stitches with another DPN. It is especially important to do it like this when working with very slippery yarn. If you don’t take care, the knitting may run deeper down than desired, thus increasing the amount of fixing to do.

The yarn from every row dropped, I pinned to the pillow, going from left to right. This made sure nothing got tangled, and I could easily count the number of dropped down rows. This, in turn, made it easier to see where to pick up the chart when knitting it back up.

4. Then it was a matter of knitting back in pattern. As you can see, you use the free loop of yarn, just as you would use the thread running to the ball of yarn. If you find it challenging to catch the thread correctly to pull it through a stitch, you can always use the crochet hook to assist with this.

5. Because of the way I manipulated the yarn through the stitches, some of the stitches got mounted twisted. In the picture below, you can see that the left leg of the stitch is in front of the needle, instead of at the back. This really is no problem, but it is something to pay attention to. To correct this, I knitted these twisted stitches through the back loop.

6. And here you see the result: all fixed! The loose stitches you can see next to the re-knitted stitches are because of the tension on those threads when manipulating the dropped down stitches. This should, however, correct itself during blocking. If it’s still a tad visible, you can redistribute the excess yarn a bit over the various stitches.

7. And this is how to go about fixing a mistake in lace knitting. Now on to knitting those final rows of this shawl…

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dyeing with natural dyes: part 4 – dyeing!

This post is part 4 in a series in which I tell you all about what is involved in dyeing wool with natural dyes. In the previous steps, we have already washed our wool, mordanted the yarn and prepared our dye bath. Now it is finally time to dye!

The steps to go through are as follows:

a. Washing the wool
b. Mordanting
c. Preparing the dye
d. Dyeing your wool

As with mordanting, you can dye either warm or cold. The end result may differ between the two methods, it is a matter of experimentation to see what you like best. The advantage of hot dyeing is, of course, that it is relatively fast. After about an hour in the hot dye bath you’ve already got result. However, it also uses much more energy. That’s why I’m using the cold dyeing method in this example.

d. Dyeing yarn!

1. In the case your mordanted yarn is dry, you have to soak it first in water again. In wet wool dye distributes itself much more uniformly. About half an hour of soaking is usually enough. If the wool is still slightly wet, you can skip to step 2. If you intent to have a more random coverage, than by all means do not pre-soak your yarn of course! Freedom in variations is one of the nice things about dyeing yarn yourself.

2. Put the mordanted wool in the pot or pots with the dye bath. Fill if necessary with a little water to completely cover the wool. Stir gently if necessary to get the wool well into the dye bath.

3. Let the wool soak about 24 hours (or longer if desired) in the dye bath. An hour more or less does not matter very much. You can dye your skeins of wool in varying tints of the same color, by removing them after different numbers of hours in the dye bath.

4. I have removed my skeins of wool after respectively 12, 16, 20 and 24 hours in the dye bath to see how the differences turn out. On the left is 12-hour in the dye bath, on the right is at the 24 hour mark.

Rinse the wool off with lukewarm water, add a dash of vinegar kitchen to fix the color. Rinse as long as necessary until the water runs clear. Remember to put on rubber gloves, if you do not want to stain your hands!

5. Then you can squeeze the water out of the dyed wool and hang to dry.

And this is how my wool looks like after it has completely dried up:

As you can see there is a difference between 12 and 24 hours in the dye bath. However, four hours between the skeins is apparently too short to see a lot of difference between successive skeins. Learned something!

The second dye bath

The above coral pink color I obtained by allowing my wool to soak in the first extract of the madder, the so-called first dye bath. To see if more pink shades were possible, I made a new dye bath containing the same madder by soaking them again for one day. In this dye batch I then soaked another mordanted skein of wool for 24 hours. And this lovely blush-colored yarn was the result:

Lots of fun to dye with plant-based dyes! I will definitely do this more often and am already saving up onion skins for my next natural dye project!

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dyeing with natural dyes: part 3 – the dye bath

This post is part 3 in a series about dyeing wool with natural dyes. This part is all about the various steps in preparing the dye bath.

The steps to go through are as follows:
a. Washing the wool
b. Mordanting
c. Preparing the dye
d. Dyeing your wool

Today we are going to make the dye bath! In this experiment I’m going to dye with madder. Below I want to tell you some more about this first.

Madder

Madder (Rubia tinctorum) has been used as a dye for many thousands of years. The reason? It is one of the most light-resistant red dyes of natural origin. It was and is used for the coloring of textiles and leather. In the fifteenth century, the Netherlands was the main producer of the madder. Particularly in Zeeland there were many fields of madder plants in the 19th century. At least until synthetic dyes became available.

The plant is about 60-90 cm high and has small yellow flowers. Below ground are the rhizomes, which can go as deep as 50-100 cm. The roots are the part that is of interest for dyeing. Madder is harvested about three years after planting, because only then the roots are big enough. After drying, the roots are ground to small pieces or powder.

c. Making the dye bath

In order to dye with madder root, you need about 25-50 g of powder per 100 g of wool. The precise amount depends upon the desired strength of the dye bath. For my wool (weighing in at 200 g dry weight) I will use a total of 80 g of madder powder. Here are the steps I followed:

1. Weigh your dye stuff, powdered madder root in my case.

2. Put your dye stuff in an old bit of pantyhose or make a “tea bag” from it by other means. You want the dye stuff in it to have adequate space to absorb moisture and to release its dye to the water. The dye stuff “tea bag” makes it easier later on to remove it out of your dye bath. It also has the great benefit of not having to remove any pieces or powder out of your wool.

3. Put the dye bag in a glass jar and cover with boiling water. I understand that madder provides a brighter shade of red when using “hard” water. Do you have soft water? Then add some chalk in the form of calcium carbonate to your dye bath.

4. Allow the dye bath to soak overnight. This is how mine looks after one night of patience:

Now it’s finally time to dye! More on this in my next post.

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