tutorial Archives - Page 10 of 14

tutorial: garter tab CO for top-down crescents

Many top-down shawl patterns start with a garter tab cast-on because it creates a lovely seamless start of any shawl. Most people will be familiar with this cast-on for traditional top-down triangle shawls. A tutorial on working such a garter tab cast-on can be found here. But what to do when starting a top-down crescent type shawl?

This type of shawl usually has a different increase rate when compared with traditional triangles. With the latter, the stitch count is increased by 4 on all right-side rows. With a top-down crescent though, increases are worked on both right side and wrong side rows: the stitch count is increased by 4 stitches on right-side rows and by 2 on wrong-side rows. When the wrong-side row increases are yarn overs, you get a rather decorative eyelet edge to your shawl. This makes it, however, harder to make your garter tab blend in invisibly. And this is where this tutorial on knitting garter tab CO for top-down crescents comes in!

As with all garter tabs, they can be a bit fiddly to work, especially when working with very skinny yarn. However, don’t let that deter you from knitting patterns that use this cast on: with the below step-by-step instructions and tips you are sure to master this technique.

In this example I used the following garter tab instructions, to get a 7 stitch start including 2 edge stitches on each side:

CO 2 sts and knit 6 rows. Turn work 90 degrees clockwise, yo, then pick up 1 st from the second (middle) garter stitch ridge along the long edge and twist this st 360 degrees counterclockwise, then purl it, yo. Pick up and knit 2 sts along the cast on edge. (7 sts).

Materials

Besides yarn and knitting needles I’m also using 3 removable stitch markers, one preferably in a different color or size.

The garter tab CO for top-down crescents step by step

1. Cast-on two stitches using your preferred cast-on method. In this example, I’m using the knitted on cast-on. Place markers in each of every cast-on stitch, this will make it easier to pick them up later on. I attached them to the back legs of the stitches to keep the markers out of the way.

2. Work 6 rows in garter stitch (knit every row). This will give you 3 ridges.

3. Then turn your work – still on the right-hand needle – 90 degrees clockwise and yo.

4. Next, insert the remaining stitch marker in the purl bump from the middle of the 3 garter ridges along the edge.

5. Use the stitch marker to twist the stitch it is inserted in 360 degrees counterclockwise (2 twists).

6. Next, insert the left-hand needle in the twisted stitch ….

7. …. and purl this stitch. The reason I’m purling this stitch here is that it makes sure that after casting on I can continue straight away with a right side row for stockinette. If you want reverse stockinette or garter stitch, this stitch should be knit instead of purled. It looks like this after this step:

8. Next, yo again.

9. Turn your work 90 degrees clockwise again and pick up and knit the first marked stitch along the cast-on edge. These stitches can be a tad hard to see, but because we marked them in step 1 this really isn’t an issue.

10. Now pick up and knit the second marked stitch along the cast-on edge.

11. There you have it: a garter tab CO for top-down crescents! There are now 7 stitches: 2 stitches on either end which will become the garter edge stitches, and 3 stitches in the middle which will become the body of your shawl. You are now ready to start the rest of your pattern!

In the little swatch shown below, I’ve knitted some more rows in the following format:

Row 1 (RS): K2, (k1, yo, k1) in next st, k to 3 sts before end, (k1, yo, k1) in next st, k2.
Row 2 (WS): K2, yo, p to 2 sts before end, yo, k2.

Do you see how well this garter tab cast-on blends in? I can’t see where the cast-on ends and the rest of the shawl begins! And that’s how I like it.

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tutorial: making a magic ball

If you’re a bit like me, you’ll have loads of odds and ends of the various projects. They are of course quite ornamental when displayed in nice glass jars or vases. But how many jars of ornamental balls of yarn does one need? I mostly work in fingering weight yarn which means I’ve got a lot of ends that would combine well, ranging from a mere 2 g up to quarter skeins. Of course, the latter could be used in small projects like Fish for Amiga, but again, how many small softies does one need?

So, I thought, why not make a magic ball?!

What is a magic ball?

You may wonder what a magic ball exactly is. Well, I’ll tell you! It is a ball of yarn that is made by attaching pieces of yarn of similar weight to each other. Thus making a bigger ball out of all of the smaller yarn remains. This way a scrappy project like a blanket, cowl, scarf or shawl is made easier because there are no ends left to weave in. That’s already taken care of by combining the yarns in the magic ball!

I myself am also very much looking forward to working with my magic ball. All those memories of projects past attached to the yarns within… Below you can find what I did to make my magic ball.

How to make a magic ball step by step

1. To start, collect your bits and bobs of yarn. Make sure they’re all in the similar weight range and ideally, also of similar materials. Combining an all acrylic yarn with otherwise wool yarns will have an impact on the resulting piece if it requires blocking. And do also consider differences in drape and washing care.

In my case, they’re all fingering weight yarns with a high content of wool. Some have up to 25% of nylon, others contain a bit of silk. In general behavior, all these yarns are however quite similar.

2. To connect the pieces of yarn with each other, there are of course various options among which the Russian join and the braided join. In this case, because the yarns all have multiple plies, I’m using the braided join. The Russian join requires a bit more attention and tools to work, but would have been my choice for connecting single ply yarns with each other.

3. Do leave the yarn tails on! Cutting them off prematurely can contribute to the join coming undone. Just leave them be and cut any yarn ends after you’ve knitted up your magic ball and blocked the finished piece. In the below picture you can see a bit how I’m faring midway in making my magic ball.

4. And here it is all done! Almost 100 g of yarn where there were only useless bits before. Now to think of a nice new design to use it in…

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tutorial: chainless starting double crochet (csdc)

Chainless starting double crochet (csdc) - a tutorial by La Visch Designs

Usually, when beginning a new row or round in a crochet project, we start with a chain 2 or chain 3 to replace the first double crochet (dc) stitch. However, a chain of stitches is much skinnier than regular double crochet, which makes it quite visible in the resulting piece. Also, it can be hard to tension the chain just so that it exactly matches the height of the dc stitches. This can make the edge of the piece (when worked flat) less neat than desired. Fortunately, there is a solution for this: the chainless starting double crochet stitch or csdc for short.

This is the perfect way to make a starting stitch that more closely resembles both the height and thickness of a regular dc stitch. Please note, though, that this method is best suited for continuing in the same color yarn. When changing the yarn color, using a standing double crochet stitch instead is advised. For this, I will also make a tutorial soon!

In this post, I will show you how to work the chainless starting double crochet stitch when worked flat. Notes on how to do this when working in the round can be found below the step-by-step instructions. Please note that American crochet terminology is used.

How to work a chainless starting double crochet stitch step by step

1. To start the csdc stitch, pull up the loop on your hook approx. to the height of a regular double crochet stitch.

2. Hold the elongated loop in place on your hook with your finger….

3. … and twist the hook counterclockwise down towards you, wrapping the lengthened loop around your hook. You now have the original loop around your hook as well as an extra double strand.

4. Now we will continue making a double crochet as we would normally do. First, yarn over…

5. …. and pull it through the double strand on your hook. Treat it as the first 2 loops on the hook as you would while working a regular double crochet stitch.

6. Again yarn over…

7. …. And pull it through the remaining 2 loops on the hook to complete the stitch.

And that’s it! Now you’re ready to continue your pattern in the other stitches of the row or round.

Working a chainless starting double crochet stitch in the round

Using a csdc stitch when working in the round is basically the same as when working flat. The main difference is, of course that in projects worked in the round, the last stitch has to be joined with the first one of the round by using a slip stitch (sl st).

This makes the process as follows:
1. Slip stitch in the top of the first stitch of the round.
2. Work the chainless starting double crochet stitch as described above.
3. Work the rest of the round.
4. Join in the round by working a slip stitch into the top of the csdc as you would with a regular dc stitch.

Other chainless starting stitches?

Not all projects are worked in double crochet, of course. Fortunately, it’s really easy to also use this technique to replace the starting chains for taller stitches like the treble crochet stitch, double treble crochet stitch, etc. The main thing to keep in mind is that you need
1. To pull up a loop in step 1 as described above to match the height of the intended stitch.
2. Adjust the number of wraps (step 3 as described in the csdc step-by-step instructions above) to match the number of “loops on the hook” with those from the intended stitch. Each wrap hereby represents 2 loops.

This technique lends itself less well for stitches shorter than the double crochet. But then, for those is the starting chain also less of a problem in looks.

Thanks to my Patreon supporters for bringing you this freebie! Creating quality patterns and tutorials is a lot of work and resource-intensive. However, I find it important to give you free content like this tutorial. Thanks to the generous support of my Patreon supporters, I can make it happen. Thank you, patrons! Click here to join, or click here to read more about La Visch Designs on Patreon.

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blocking an asymmetrical shawl

Don’t you just love those asymmetrical shawls that are knit on the bias? I know I do! They are just the perfect shape to wear as a scarf, but without the bulk on the tails that regular rectangular scarves usually have. I’ve been getting questions about how to block such a shawl though, so I thought to make a photo tutorial about it.

In this tutorial, I will be showing you how I blocked my Scuba shawl. Scuba has a lovely scalloped edge, that is realized purely by pulling the bottom edge into points during blocking.

What is blocking?

Before we go into details, it’s good to get clear what I mean exactly with “blocking”. Blocking is nothing more than shaping your knit or crochet pieces when moist or wet. Think of finished items or components to sew together afterwards. By blocking them, you can not only even out stitches, but also bring the item to the intended dimensions. The latter of course within reason!

For a sweater or sweater components blocking usually is nothing more than washing the item(s) and patting them gently into shape. Lace shawls, on the other hand, benefit from a rather vigorous blocking by pinning it stretched out as much as possible. After the piece has dried, it will hold its shape until the next washing.

Please note, that not all fibers are suited for the magic of blocking. Only natural fibers like wool, alpaca, cotton etc. as well as some viscose fibers can be blocked.
On synthetics, like acrylic, the process of wet-blocking as described in this post has virtually no effect at all. Acrylics can be blocked (“killed”) by applying heat through steam blocking or ironing, but that’s an entirely different process.

Materials needed

Since the subject of this post is the blocking off a shawl, I go for a vigorous blocking using pins. I used the following materials:

Blocking mats, these are usually foam mats that hold pins well. Think for example of insulation mats, mats for yoga or play tiles for children.
Pins, I use regular pins, but other folks sometimes prefer stainless steel T pins.
Wool wash.
A towel large enough to comfortably hold your project.

How to block an asymmetrical shawl step by step

1. First I filled the sink with some lukewarm water and added a dash of wool wash. I let the shawl rest for about 10-15 minutes to make sure the wool is completely saturated with water.

2. Next, rinse the wool well. Don’t use cold water for this, as “shocking” warm wool like that may cause it to felt. If your yarn bleeds dye a bit, you can add a splash of vinegar to the rinse water to help fix it. After rinsing, gently squeeze excess water out of your project. Don’t wring it! This may damage the fibers, causing breakage.

3. Spread out your towel and place the shawl on top of it.

4. Fold the second half of the towel over your shawl and roll it up like a sausage. Squeeze the roll well to transfer most of the wetness from the shawl to the towel. With bigger projects, I find it helps to actually stand a bit on it.

5. Spread out your blocking mats to the size needed for your project. I prefer to do that in my workroom because it can be closed off against “helping” cats.

6. Spread out your shawl on the blocking mats in roughly the shape you want to block it in.

7. Start by pinning the 2 outer corners. You can stretch the upper edge of the shawl out for this, but don’t stretch it to the max., we still need some slack in the fabric to accommodate stretching it out in other directions.

8. Next, pin the entire upper edge of the shawl in a smooth curve, using approx. 1 pin every 2.5 cm (1 inch). You can, of course, pin the upper edge in a straight line, but I find a slightly curved edge sits better on the neck and shoulders.

9. Now we pull down the bottom point and pin it to the mats. Again, don’t stretch it to the max. yet!

10. Now pull every other point on the left side down and pin it in a curve. At this point, you can still keep some slack in the fabric of the shawl.

11. Next, we move to the right side of the shawl and pull and pin it down somewhere in the middle.

12. After this, we pin down other points of the edge of the shawl on the right side.

13. Back to the left bottom edge! Now I’m pinning the points I skipped previously, adjusting the pins already there where needed, to achieve a smooth curve.

14. Following this, I continue pinning the right edge again, making sure to keep the same distance between pins as on the left side. I placed the weight on the blocking mat to keep it from buckling under the tension I’m putting the shawl under.

15. Finally, I go over the entire bottom edge again, making sure to pull it out to the max and keeping the edge in a smooth curve. I needed more weights to keep the mats in place!

And there you have it: a beautifully blocked Scuba shawl!

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tutorial: knit rick rack rib in the round

I’ve written it before in this tutorial on how to knit the rick rack rib flat: sometimes a less boring finishing of a project than plain old 2×2 rib is just what the doctor ordered. In this post, I’m going to show you how to knit rick rack rib in the round.

As with the flat worked version of this stitch, the characteristic zig-zag texture is obtained by the knitting the stitches in a different order than they appear on the needle. Rick rack rib worked in the round is knitted as a multiple of 3 stitches. The main difference with the flat worked version is, of course, that there are no WS rows when working the round.

In short, the instructions for this stitch worked in the round consist of the following 2 rounds:

Round 1: *Purl 1, skip the first stitch, knit in the back loop of the second stitch (do not slip this stitch off the needle), knit into the front loop of the first stitch and now slip both knitted stitches of the needle; repeat from * to end of the round.

Round 2: *Purl 1, skip the first stitch, knit in the front loop of the second stitch (do not slip this stitch off the needle), knit into the front loop of the first stitch and now slip both knitted stitches from the needle; repeat from * to end of the round.

Repeat rounds 1 and 2 to the desired height.

How to knit rick rack rib in the round step by step

Round 1
1. Purl 1 stitch.

2. Skip the first stitch and insert your needle int the second stitch on the needle in the back loop.

3. Wrap the yarn around the needle as usual…

4. … and pull through to complete knitting this stitch. Do not slip this stitch off the left-hand needle just yet!

5. Knit into the front loop of the first stitch that you skipped in step 2.

6. Then slip both knitted stitches from the needle. Do you see how the 2 stitches combined slant to the left?

7. Repeat steps 1 to 6 the end of the round.

Round 2
8. Purl 1 stitch.

9. Skip the first stitch and insert the needle as if to knit in the second stitch on the left-hand needle. This can be a tad fiddly!

10. Twist the right-hand needle so that is behind the left-hand needle and wrap the yarn around.

11. Next pull the yarn through, but do not slip this stitch off the needle just yet!

12. Knit the first stitch that you skipped in step 9….

13. ….then slip both knitted stitches from the needle. The 2 knitted stitches combined in this round produce a right-slanting result!

14. Repeat steps 8 to 13 to the end of the round. And this is how to knit rick rack rib in the round!

On the outside of the work, it will look something like this:

In case your project ends with rick-rack rib, you can bind-off after row 2 by binding off in purl 1, knit 2 pattern.

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how to work the knit and garter stitch

by La Visch Designs — How to work the knit and garter stitch

In this post, I’m going to show you how the knit and garter stitch is worked. The knit stitch is the basis of most knitting stitches and therefore often the first one beginning knitters start with. When knitting a flat piece in the knit stitch only, you get a fabric in what’s called “garter stitch”. Usually, a piece knit in garter stitch will be shorter and wider than the same amount of stitches and rows worked in other types of stitches. Garter stitch has a wonderful texture, is very squishy and elastic and best of all: it lies flat when knitted back and forth! Truly a wonderful stitch to have in you knitter’s tool box

In this post, I’ll show you how to work both the basic knit stitch and the ins and outs of garter stitch when worked back and forth (flat). Working garter stitch in the round also involves purling and will, therefore, be addressed in a different post.

Working the knit and garter stitch back and forth step by step

1. I’m starting with a number of stitches already cast on. What you see here, is done with the knitted on cast on.

2. To start, take your second needle and insert the tip into the stitch with the needle under your main needle. Insert at an angle so your needles cross as pictured.

3. Hold the crossed needles together, take the yarn connected to your ball and wrap it around the bottom needle. Begin by going around, and then over. Depending on your knitting style this can be done with either your left or your right hand. The end result is however always the yarn wrapped around the needle as pictured.

4. Take the bottom needle and bring it back through the stitch pulling the yarn with it.

5. Now slide of the original stitch you inserted your needle in (step 2) and tighten the yarn a bit. In the above picture, you see the original stitch on the right of the second needle. You have now knit a knit a stitch!

6. Repeat steps 2-5 until you’ve worked all stitches on your main needle. The second needle which now has all the stitches on it looks something like this:

7. Now switch the knitting needles around: the needle containing all the stitches becomes the main needle and the empty one becomes the second needle. I know I could also call them the left-hand and right-hand needles, but this could become confusing for those holding their needles differently.

8. Make sure your yarn is behind the needle and again follow steps 2-5 until you’ve worked all stitches on your main needle. The second needle now again has all the stitches on it:

9. When switching needles again, you can now see the characteristic ridges of garter stitch starting to emerge:

10. When I’ve knitted a couple of more rows we have a small swatch of garter stitch fabric! And this is how to work the knit and garter stitch.

Tips & tricks

Garter stitch comes out in ridges and each ridge is 2 rows. To know how many rows you’ve knit you can just count the ridges and then double the number.
Garter stitch looks the same on both right side (RS) and wrong side (WS) rows. There is, however, a trick to determine what side you are: Did you see in the picture with step 1 above where the yarn tail from casting on was? With the first row, I knit (which is usually called the RS) the yarn tail was on the bottom left. This means that every time I have my knitting on the main needle and the yarn tail is on the bottom left, I’m about to knit a RS row. You can of course also use a stitch marker or safety pin to see easily which side is what.
In this tutorial, I showed you how to work garter stitch by working knit stitches on every row. By purling every row, however, you also get garter stitch!
If you want to work in multiple colors, you should know that in garter stitch, if you switch colors on a right side row, there will be a line across the wrong side where you can see the loops of stitches connecting. This can, of course, be a design feature. If you don’t want this line visible, make sure to start the new color with the RS facing.

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the knitted on cast-on

The knitted on cast-on is a very strong and reasonably stretchy cast on to start your knitting project with. It’s the cast on I use most often because it is just so easy to do. Personally, I wouldn’t use it for a knitting project that would be blocked heavily. For all other applications, though, it makes a very nice edge. Think for example of edges of garments, non-lace blankets etc.

This particular method is also great for the beginner knitter because it is basically the knit stitch that is used to cast on. In this post, I’ll show you how to do it!

The knitted on cast-on step by step

1. Take a length of yarn from your ball of yarn.

2. Make a slip knot….

3. ….and insert the needle into the upper loop and tighten the slip knot onto the needle. This is the first stitch. Make sure to leave enough on the tail of the yarn to weave in later.

It is also possible not to use a slip knot and just loop the yarn around the needle for your first stitch, thus avoiding the knit in the corner of your work. For the sake of this tutorial, however, I’m going with the slip knot version.

4. Take your second needle and insert the tip into the stitch with the needle under your main needle. Insert at an angle so your needles cross as pictured.

5. Hold the crossed needles together, take the yarn connected to your ball and wrap it around the bottom needle: go around, and then over. Depending on your knitting style this can be done with either your left or your right hand. The end result is however always the yarn wrapped around the needle as pictured.

6. Take the bottom needle and bring it back through the stitch pulling the yarn with it in a loop.

7. Now transfer the new loop from the bottom needle to the other needle and tighten the yarn. You have now cast on a stitch!

8. Repeat steps 4-7 until you have reached the desired amount of stitches on your needle.

And that is all there is to it! The knitted on cast-on looks like this after a few more stitches have been cast on.

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dyeing with natural dyes: part 4 – dyeing!

This post is part 4 in a series in which I tell you all about what is involved in dyeing wool with natural dyes. In the previous steps, we have already washed our wool, mordanted the yarn and prepared our dye bath. Now it is finally time to dye!

The steps to go through are as follows:

a. Washing the wool
b. Mordanting
c. Preparing the dye
d. Dyeing your wool

As with mordanting, you can dye either warm or cold. The end result may differ between the two methods, it is a matter of experimentation to see what you like best. The advantage of hot dyeing is, of course, that it is relatively fast. After about an hour in the hot dye bath you’ve already got result. However, it also uses much more energy. That’s why I’m using the cold dyeing method in this example.

d. Dyeing yarn!

1. In the case your mordanted yarn is dry, you have to soak it first in water again. In wet wool dye distributes itself much more uniformly. About half an hour of soaking is usually enough. If the wool is still slightly wet, you can skip to step 2. If you intent to have a more random coverage, than by all means do not pre-soak your yarn of course! Freedom in variations is one of the nice things about dyeing yarn yourself.

2. Put the mordanted wool in the pot or pots with the dye bath. Fill if necessary with a little water to completely cover the wool. Stir gently if necessary to get the wool well into the dye bath.

3. Let the wool soak about 24 hours (or longer if desired) in the dye bath. An hour more or less does not matter very much. You can dye your skeins of wool in varying tints of the same color, by removing them after different numbers of hours in the dye bath.

4. I have removed my skeins of wool after respectively 12, 16, 20 and 24 hours in the dye bath to see how the differences turn out. On the left is 12-hour in the dye bath, on the right is at the 24 hour mark.

Rinse the wool off with lukewarm water, add a dash of vinegar kitchen to fix the color. Rinse as long as necessary until the water runs clear. Remember to put on rubber gloves, if you do not want to stain your hands!

5. Then you can squeeze the water out of the dyed wool and hang to dry.

And this is how my wool looks like after it has completely dried up:

As you can see there is a difference between 12 and 24 hours in the dye bath. However, four hours between the skeins is apparently too short to see a lot of difference between successive skeins. Learned something!

The second dye bath

The above coral pink color I obtained by allowing my wool to soak in the first extract of the madder, the so-called first dye bath. To see if more pink shades were possible, I made a new dye bath containing the same madder by soaking them again for one day. In this dye batch I then soaked another mordanted skein of wool for 24 hours. And this lovely blush-colored yarn was the result:

Lots of fun to dye with plant-based dyes! I will definitely do this more often and am already saving up onion skins for my next natural dye project!

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dyeing with natural dyes: part 2 – mordanting

This post about mordanting your fiber is part 2 in a series in which I tell you all about what is involved in dyeing wool with natural dyes. I guide you through the various steps and take you along with a natural dye experiment.

The steps to go through are as follows:

a. Washing the wool
b. Mordanting
c. Preparing the dye
d. Dyeing your wool

Today we are going to mordant the wool we washed in the previous step.

b. Mordanting

Mordanting of the wool is usually required with natural dyeing to ensure that the wool fibers are all opened up so that the dye can penetrate into the fiber. Without mordanting the dye adheres less well and the resulting color is less bright and colorfast.
There are several possible mordants: alum (potassium aluminum sulfate), chrome (potassium dichromate), copper sulfate, iron (ferrous sulfate), and tin (stannous chloride).

Each mordant has a different effect on the outcome of the dyeing process. Iron for example will “sadden” or darken colors, bringing out the green shades. Because alum is, when compared to the others, much less polluting and releases no harmful vapors during processing, I use it in this step-by-step guide.

1. The amount of mordanting agent to use depends on the quantity of wool that you want to dye. Typically, alum is used between 8% and 20% of the weight of the wool (dry weight!). I start at 15% and have 200 g of wool, therefore I use 30 g alum. (I know that the photograph shows 31 g, have corrected the weight after making the picture!)

Tartaric acid (“cream of tartar”) is sometimes used as an additive when mordanting with alum. As I understand it, it can brighten the colors. Use at approx. 7% of the weight of fiber together with 8% alum. In this example, I however do not use it.

2. Dissolve the alum (and, possibly, tartaric acid) in a glass jar or stainless steel pan of boiling water. Use enough water to fully submerge your amount of wool.

3. Add the wet wool to the pot. This may be immediately after washing. If your wool has dried between washing and mordanting, let it soak in water for about half an hour first. Adding dry wool to a mordanting or dye bath may cause streaks in your fiber.

Many instructions for dyeing wool indicate to keep it all warm at the simmering point for more than an hour. That may indeed be the case, but you can also get good results if you let it cool completely and then allow to stand overnight. This cold mordanting takes more time, but much less energy and therefore has my preference.

4. After mordanting, the wool must be rinsed.

5. Next you can directly proceed to dyeing the wool, or (if the timing is not quite right) hang your wool to dry. Once mordanted and dried, simply store the wool until you are ready to dye.

Now it is time to proceed to the next step: preparing your dye bath. More on this in my next post!

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tutorial: knitting the loopy bind-off

Knitting the loopy bind-off - a tutorial by La Visch Designs - www.lavisch.com

In this post I want to show you a variation of the i-cord BO: the loopy bind-off. With a regular i-cord BO you work directly over all stitches, binding them off. With the loopy bind-off loops of i-cord are made in between the stitches that are to be bound off. This does not only give a highly decorative edge, but is also a very elastic finishing. For this reason, this would be a nice BO to use on items like shawls, that have to be blocked quite aggressively for the best results.

Similar to regular i-cord (click here for the post about it!), this stitch can be knit over 3, 4 or 5 stitches. The more stitches, the fatter the resulting i-cord will be. The number of stitches also affects the loops in this bind-off: if you want to knit the i-cord for the loops over 3 stitches, you will need a multiple of 3 stitches to bind-off.

To knit the loopy bind-off, you need a set of knitting needles, plus one extra needle in the same size. It can be worked on both the good and the wrong side of the work. In this example I’m binding off a small swatch in garter stitch.

The loopy bind-off step by step

1. Use the first 3 stitches on the left needle to knit regular i-cord. You can decide how long to make the cord, as long as it is equal for all loops. In this example I made cord with a length of 3.5 cm, which was 10 rows.

2. Next, bring the needle with the i-cord stitches parallel to the needle with the stitches to be bound off, by twisting it counterclockwise.

3. Insert the third needle into the first stitch on the front needle, then immediately also into the first stitch of the back needle. Wind the yarn around the needle as usual, pull the yarn through both stitches and then slip off the first stitch of both the front and back needle. This is really very similar to working a three-needle BO.

4. Repeat step 3 twice.

5. Next, slip the 3 newly knitted stitches back to the left-hand needle.

6. Repeat steps 1 to 5 until 3 stitches remain on the left-hand needle. Next, repeat steps 1 and 2 once more.

7. Work step 3 twice, you now have 2 stitches on the right-hand needle.

8. Pass the first stitch over the second stitch, you now have 1 stitch remaining on the right-hand needle.

9. Repeat step 3 once more, followed by 1 repetition of step 8. All stitches are now cast off, you can now cut the yarn and pull the tail through the last loop.

This is how the loopy bind-off edge will look like on the right side of the work:

And this is how it looks on the wrong side of the work:

Depending on the desired effect you can use either the right or wrong side of this bind-off.

And that is all there is to it!

tutorial: knitting the loopy bind-off Read More »